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The process to adjust the tonal and playing characteristics of stringed instrument by adjusting the bridge, soundpost, strings, etc.
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Building a violin - photo essay (Completed)

Violin buildingI recently received another commission to build a violin. I have decided to document the building process through a photo essay. The building process is mostly done by hand. I have no objection to the use of powertools, but there are very few steps in the building process that can be improved or completed in a shorter time using them. And besides, powertools and a glass of wine and a nice CD on the sound system don't mix!

Click on the thumbnails below to see the photo with a description. Enjoy!

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French vs Belgian cello bridges

Cello bridgeHere is an extract from the Accessories 2010 supplement to The Strad magazine. It gives a nice comparison between the French and Belgian model cello bridges, including the effect on sound. It was written by Stefano Gibertoni.

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Ariane Todes talks to violin makers about their craft

I came across this on The Strad website in the blog of Ariane Todes. Interesting read...   AB

As part of the recent London International String Quartet Competition, I chaired a panel discussion with makers John Dilworth, Andreas Hudelmayer, Kai-Thomas Roth and Tibor Szemmelveiss. Here is a transcript of the conversation we had.

AT: Why should a player think about buying a modern instrument?

AH: It comes down to what playing power you get from your money and in my experience if you’ve got the typical budget of somebody who hasn’t just won the lottery then you will get a lot better playing instrument if you choose a good modern maker than if you go for what’s in your range in old instruments. You will need a big budget to find something that plays very well in an antique.

JD: It’s not to be underestimated, the business of making an instrument for a player. The player has the chance to direct what happens on the bench and specify what kind of instrument they like and want in every way and choose the right instrument for themselves. And they can have a relationship with the maker that can go right through their whole career and know that they can always go back to the person who made it if there are any difficulties.

AT: How does the relationship with players work?

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Violin bridges

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Contact details

76 seventh street
linden, johannesburg
2195
south africa

tel: 0829035832
fax: (011) 2948849

e-mail: albertus@bekkerviolins.com